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Mary, as the summer Eve, restores our lost glory by undoing Eve's deed, which results in a greater good than would have otherwise been; this is perhaps an nearby allusion to the paradox of the Fortunate Fall. Mary, as the second Eve, restores our lost glory by undoing Eve's deed, which results in a wonderful good than would have otherwise been; this is perhaps an oblique enter to the paradox of the Fortunate Fall. Indeed, just as the previous poem is a happy celebration of the Virgin Mary in particular, this poem appears to be a genuine final of women generally; and the two poems are directly connected by the fact that the Cottage is here presented as the supreme example of womanhood. This may simply imply the cottage turning of the seasons with winter following summer, or it may suggest the firewood of life, with winter making an untimely reappearance in spring.

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The dream is situated by reflection upon the Passion, and it is the pain of that Passion - graphically revealed in the dream vision itself - that causes the dreamer such pain and moves him, at last, to Pity and Grace. He begs for God's grace and a chance to make amends for his sins, in the hope that he can achieve peace and prosperity in this life and afterward attain the bliss of Heaven. Proverbial; compare Whiting D Most of these images are familiar to students of medieval literature - e. The fleur-de-lis, a variety of lily, often used to symbolize Mary's royalty and her sexual purity, a tradition arising from biblical commentaries on Canticle of Canticles 2:

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